So, this is the first time I have written an album review. I chose to write it on NSV for several reasons:
-it is one of my favorite albums of all time
-it is a landmark in its genre
-technical metal/grind music is often misunderstood and its musicians rarely get the respect they deserve
-there is complexity to the music that i find intellectually stimulating as well as emotive
*Where do I even begin? The sheer heaviness of this album and the influence it has necessarily had on every death metal act since is enough to land it a spot as the greatest death metal album of its time. Due to the cleaner production, it is slightly more accessible than its precursor "Blasphemy Made Flesh", and really showcases Technicality as one of Brutality's greatest companions.
The album takes off with a sample from "The Exorcist 3", a drumroll, a blood-curtling scream, and perhaps the most overt example of incomprehensible vocal frenzy on the entire disc. Lord Worm's barks, screams and growls are among the genre's best, adding an aggressive flare to the music better than the permanently deadened sound of some death metal vocalists. Since the lyrics themselves have little influence on the music (unless you are reading along), I will not delve into their quality too deeply. Suffice it to say that they are as intelligent as they are twisted. Flo Mounier's diverse blast beating never fails to impress either. It is played with impressive speed and precision, and is produced very tightly, adding to the feeling of controlled chaos throughout the album. A brilliantly simple isolated guitar harmony gives way to more chaos on "Slit Your Guts", one of the album's best. The highlight of the track, however, is the bass passage about halfway through. Eric Langlois' avante garde stylings are akin to the sound of fellow Canadian progressive death metallers Gorguts.
I am a natural skeptic and I do not believe that "perfection" is a viable concept in Art. With that said, what may be perceived as consistent, brutal songwriting by some may be perceived as riff-interchangeability by others. In this case I think it is a fair tradeoff, although I have found myself listening to "Orgiastic Disembowelment" and anticipating a riff from "Benedictine Convulsions", for example. Perhaps this is the reason that "Phobophile" is my favorite track on the album, as it offers a short break from the chaos. A hauntingly beautiful and perfectly anticipatory piano intro dissolves with a bit of guitar feedback, some groovy bass, and the most triumphant return to sheer fucking brutality you could possibly hope for. This transition consistently gives me shivers.
This album is recommended as an important example of musical extremity for anyone who is musically open-minded (if you make it to the piano passage you might be able to recover enough to make it through the rest of the album!), and if you are a fan of death metal you probably already own it. In a genre constantly trying to outdo itself, this album retains its impact after 12 years. Very, very well done!*
I am interested in hearing your feedback whether or not you are into music, whether it be on my opinions or the writing itself or anything else, let me know what you think! I will also be posting this review elsewhere on the web.
Keep checking back, I will probably continue writing about a wide variety of subjects in any random sort of fashion.